1.what are some of the ways in which music for silent films may be distinguished from musical scores for sound film?
2. what is a leitmotif? Briefly discuss how this device is used in The Sea Hawk and King Kong. Are these two scores purely leitmotif scores? Explain.
3. What does Sergei Eisenstein mean by “vertical montage”? give examples from Eisenstein and from Hitchcock’s Vertigo.
What effect, if any, do you feel that this filmmaking technique has on the audience? Please reference Brown, Royal S.: Overtones and Undertones: Reading Film Music and Karlin Fred:

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